Komunikacija i informacija sakralne i profane umetnosti

Abstract

U cilju sagledavanja kreativnog procesa u radu je korišćen Valasov obrazac pomoću kojeg su pojedinačne faze kreativnog procesa upoređene sa različitim tipovima komunikacije. Ovakvim pristupom pokazuje se da je tokom kreativnog procesa razmena informacija konstantno prisutna. Svaki vid komunikacije ima za cilj formiranje određene i jedinstvene informacije koja delu daje autentičnost. Opisanim fazama dodata je još jedna koja je prisutna na određenim delima sakralne umetnosti. Proučavanjem kreativnog procesa na ovakav način primećuje se da se značaj umetničkog dela može uporediti i sa njegovim dosegom u sferi komunikacije.

In order to examine a creative process in this paper, the Wallas' four-stage model was used, through which the individual phases of a creative process were compared with different types of communication. This approach shows that during the creative process an exchange of information is constantly present. Each type of communication aims at forming a specific and unique information that gives the work its authenticity. As a supplement to the described phases, one additional phase which is present in certain works of sacred art, is given. By examining the creative process in this way, it can be seen that a significance of the artwork can be compared to its reach in the domain of communication.