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Komunikacija i informacija sakralne i profane umetnosti

Communication and Information of Sacral and Profane Art

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2019
bitstream_4109.pdf (1014.Kb)
Authors
Filipović, Mirjana
Tomić, Bojan
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Abstract
U cilju sagledavanja kreativnog procesa u radu je korišćen Valasov obrazac pomoću kojeg su pojedinačne faze kreativnog procesa upoređene sa različitim tipovima komunikacije. Ovakvim pristupom pokazuje se da je tokom kreativnog procesa razmena informacija konstantno prisutna. Svaki vid komunikacije ima za cilj formiranje određene i jedinstvene informacije koja delu daje autentičnost. Opisanim fazama dodata je još jedna koja je prisutna na određenim delima sakralne umetnosti. Proučavanjem kreativnog procesa na ovakav način primećuje se da se značaj umetničkog dela može uporediti i sa njegovim dosegom u sferi komunikacije.
In order to examine a creative process in this paper, the Wallas' four-stage model was used, through which the individual phases of a creative process were compared with different types of communication. This approach shows that during the creative process an exchange of information is constantly present. Each type of communication aims at forming a specific and unique information that gives the work its authenticity. As a supplement to the described phases, one additional phase which is present in certain works of sacred art, is given. By examining the creative process in this way, it can be seen that a significance of the artwork can be compared to its reach in the domain of communication.
Keywords:
creative process / communication / information / artwork
Source:
Vizantijsko-slovenska čtenija II [Byzantine-Slavic readings II], 2019, 317-323
Publisher:
  • Centar za vizantijsko-slovenske studije Univerziteta u Nišu / Centre for Byzantine-Slavic Studies of the University of Niš
  • Međunarodni centar za pravoslavne studije / International Center for Othodox Studies
  • Centar za crkvene studije / The Centre for Church Studies
Funding / projects:
  • Theory and practice of science in society: multidisciplinary, educational and intergenerational perspectives (RS-179048)

ISBN: 978-86-7181-108-8

[ Google Scholar ]
Handle
https://hdl.handle.net/21.15107/rcub_rimsi_1703
URI
http://rimsi.imsi.bg.ac.rs/handle/123456789/1703
Collections
  • Radovi istraživača / Researchers’ publications
Institution/Community
Institut za multidisciplinarna istraživanja
TY  - CONF
AU  - Filipović, Mirjana
AU  - Tomić, Bojan
PY  - 2019
UR  - http://rimsi.imsi.bg.ac.rs/handle/123456789/1703
AB  - U cilju sagledavanja kreativnog procesa u radu je korišćen Valasov obrazac pomoću kojeg su pojedinačne faze kreativnog procesa upoređene sa različitim tipovima komunikacije. Ovakvim pristupom pokazuje se da je tokom kreativnog procesa razmena informacija konstantno prisutna. Svaki vid komunikacije ima za cilj formiranje određene i jedinstvene informacije koja delu daje autentičnost. Opisanim fazama dodata je još jedna koja je prisutna na određenim delima sakralne umetnosti. Proučavanjem kreativnog procesa na ovakav način primećuje se da se značaj umetničkog dela može uporediti i sa njegovim dosegom u sferi komunikacije.
AB  - In order to examine a creative process in this paper, the Wallas' four-stage model was used, through which the individual phases of a creative process were compared with different types of communication. This approach shows that during the creative process an exchange of information is constantly present. Each type of communication aims at forming a specific and unique information that gives the work its authenticity. As a supplement to the described phases, one additional phase which is present in certain works of sacred art, is given. By examining the creative process in this way, it can be seen that a significance of the artwork can be compared to its reach in the domain of communication.
PB  - Centar za vizantijsko-slovenske studije Univerziteta u Nišu / Centre for Byzantine-Slavic Studies of the University of Niš
PB  - Međunarodni centar za pravoslavne studije / International Center for Othodox Studies
PB  - Centar za crkvene studije / The Centre for Church Studies
C3  - Vizantijsko-slovenska čtenija II [Byzantine-Slavic readings II]
T1  - Komunikacija i informacija sakralne i profane umetnosti
T1  - Communication and Information of Sacral and Profane Art
EP  - 323
SP  - 317
UR  - https://hdl.handle.net/21.15107/rcub_rimsi_1703
ER  - 
@conference{
author = "Filipović, Mirjana and Tomić, Bojan",
year = "2019",
abstract = "U cilju sagledavanja kreativnog procesa u radu je korišćen Valasov obrazac pomoću kojeg su pojedinačne faze kreativnog procesa upoređene sa različitim tipovima komunikacije. Ovakvim pristupom pokazuje se da je tokom kreativnog procesa razmena informacija konstantno prisutna. Svaki vid komunikacije ima za cilj formiranje određene i jedinstvene informacije koja delu daje autentičnost. Opisanim fazama dodata je još jedna koja je prisutna na određenim delima sakralne umetnosti. Proučavanjem kreativnog procesa na ovakav način primećuje se da se značaj umetničkog dela može uporediti i sa njegovim dosegom u sferi komunikacije., In order to examine a creative process in this paper, the Wallas' four-stage model was used, through which the individual phases of a creative process were compared with different types of communication. This approach shows that during the creative process an exchange of information is constantly present. Each type of communication aims at forming a specific and unique information that gives the work its authenticity. As a supplement to the described phases, one additional phase which is present in certain works of sacred art, is given. By examining the creative process in this way, it can be seen that a significance of the artwork can be compared to its reach in the domain of communication.",
publisher = "Centar za vizantijsko-slovenske studije Univerziteta u Nišu / Centre for Byzantine-Slavic Studies of the University of Niš, Međunarodni centar za pravoslavne studije / International Center for Othodox Studies, Centar za crkvene studije / The Centre for Church Studies",
journal = "Vizantijsko-slovenska čtenija II [Byzantine-Slavic readings II]",
title = "Komunikacija i informacija sakralne i profane umetnosti, Communication and Information of Sacral and Profane Art",
pages = "323-317",
url = "https://hdl.handle.net/21.15107/rcub_rimsi_1703"
}
Filipović, M.,& Tomić, B.. (2019). Komunikacija i informacija sakralne i profane umetnosti. in Vizantijsko-slovenska čtenija II [Byzantine-Slavic readings II]
Centar za vizantijsko-slovenske studije Univerziteta u Nišu / Centre for Byzantine-Slavic Studies of the University of Niš., 317-323.
https://hdl.handle.net/21.15107/rcub_rimsi_1703
Filipović M, Tomić B. Komunikacija i informacija sakralne i profane umetnosti. in Vizantijsko-slovenska čtenija II [Byzantine-Slavic readings II]. 2019;:317-323.
https://hdl.handle.net/21.15107/rcub_rimsi_1703 .
Filipović, Mirjana, Tomić, Bojan, "Komunikacija i informacija sakralne i profane umetnosti" in Vizantijsko-slovenska čtenija II [Byzantine-Slavic readings II] (2019):317-323,
https://hdl.handle.net/21.15107/rcub_rimsi_1703 .

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