The Aestheticization of Yugoslav Architecture through Structuralist Analysis of Form-Meaning Relationship
Конференцијски прилог (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
This paper addresses the aestheticization of Yugoslav architecture through the implementation of structuralist form that took place between the early 1950s and the late 1970s, and calls attention to the need for contemplating the relationship between formal and intrinsic elements in architecture. An important component of the interest for the formal issues of architecture was to make a distance from functionalistic philosophy, which led to novel understanding of form and to the aestheticization of architecture. Structuralist aesthetics, which was accepted in the 1950s, changed the concept of form for the concept of structure, and focused on the elucidation of internal construction and organization. With reference to structuralist theoretic-methodological approach, an aspiration of Yugoslav architects for achieving inter-relationship between physical and semiotic structure via invisible laws that define and form elements of structure is pointed out. Different aspects of aesthetics of Yu...goslav architecture reflected in various approaches for accepting the formal principles: the recognition of constructive aesthetics and importance of integration of constructive and formal elements of an organic entity, the interest for relations between the elements of architectural system, the idea of fluid space, and the evolutionary growth, development and transformation. This paper starts from the premise that the aspiration for aestheticization of architectural form through articulation of the unity of elements promoted Yugoslav architecture to build a connection between formal structure of an object and the meaning of its structural elements.
Кључне речи:
the constructive aesthetics, architectural form, structuralism, brutalism, form-meaning relationshipИзвор:
ARCHDESIGN '19. VI. International Architectural Design Conference Proceeding, 2019, 157-168Издавач:
- Özgür Öztürk DAKAM YAYINLARI
Финансирање / пројекти:
- Теорија и пракса науке у друштву: мултидисциплинарне, образовне и међугенерацијске перспективе (RS-MESTD-Basic Research (BR or ON)-179048)
Институција/група
Institut za multidisciplinarna istraživanjaTY - CONF AU - Stojiljković, Danica AU - Ristić Trajković, Jelena PY - 2019 UR - http://rimsi.imsi.bg.ac.rs/handle/123456789/2793 AB - This paper addresses the aestheticization of Yugoslav architecture through the implementation of structuralist form that took place between the early 1950s and the late 1970s, and calls attention to the need for contemplating the relationship between formal and intrinsic elements in architecture. An important component of the interest for the formal issues of architecture was to make a distance from functionalistic philosophy, which led to novel understanding of form and to the aestheticization of architecture. Structuralist aesthetics, which was accepted in the 1950s, changed the concept of form for the concept of structure, and focused on the elucidation of internal construction and organization. With reference to structuralist theoretic-methodological approach, an aspiration of Yugoslav architects for achieving inter-relationship between physical and semiotic structure via invisible laws that define and form elements of structure is pointed out. Different aspects of aesthetics of Yugoslav architecture reflected in various approaches for accepting the formal principles: the recognition of constructive aesthetics and importance of integration of constructive and formal elements of an organic entity, the interest for relations between the elements of architectural system, the idea of fluid space, and the evolutionary growth, development and transformation. This paper starts from the premise that the aspiration for aestheticization of architectural form through articulation of the unity of elements promoted Yugoslav architecture to build a connection between formal structure of an object and the meaning of its structural elements. PB - Özgür Öztürk DAKAM YAYINLARI C3 - ARCHDESIGN '19. VI. International Architectural Design Conference Proceeding T1 - The Aestheticization of Yugoslav Architecture through Structuralist Analysis of Form-Meaning Relationship EP - 168 SP - 157 UR - https://hdl.handle.net/21.15107/rcub_rimsi_2793 ER -
@conference{ author = "Stojiljković, Danica and Ristić Trajković, Jelena", year = "2019", abstract = "This paper addresses the aestheticization of Yugoslav architecture through the implementation of structuralist form that took place between the early 1950s and the late 1970s, and calls attention to the need for contemplating the relationship between formal and intrinsic elements in architecture. An important component of the interest for the formal issues of architecture was to make a distance from functionalistic philosophy, which led to novel understanding of form and to the aestheticization of architecture. Structuralist aesthetics, which was accepted in the 1950s, changed the concept of form for the concept of structure, and focused on the elucidation of internal construction and organization. With reference to structuralist theoretic-methodological approach, an aspiration of Yugoslav architects for achieving inter-relationship between physical and semiotic structure via invisible laws that define and form elements of structure is pointed out. Different aspects of aesthetics of Yugoslav architecture reflected in various approaches for accepting the formal principles: the recognition of constructive aesthetics and importance of integration of constructive and formal elements of an organic entity, the interest for relations between the elements of architectural system, the idea of fluid space, and the evolutionary growth, development and transformation. This paper starts from the premise that the aspiration for aestheticization of architectural form through articulation of the unity of elements promoted Yugoslav architecture to build a connection between formal structure of an object and the meaning of its structural elements.", publisher = "Özgür Öztürk DAKAM YAYINLARI", journal = "ARCHDESIGN '19. VI. International Architectural Design Conference Proceeding", title = "The Aestheticization of Yugoslav Architecture through Structuralist Analysis of Form-Meaning Relationship", pages = "168-157", url = "https://hdl.handle.net/21.15107/rcub_rimsi_2793" }
Stojiljković, D.,& Ristić Trajković, J.. (2019). The Aestheticization of Yugoslav Architecture through Structuralist Analysis of Form-Meaning Relationship. in ARCHDESIGN '19. VI. International Architectural Design Conference Proceeding Özgür Öztürk DAKAM YAYINLARI., 157-168. https://hdl.handle.net/21.15107/rcub_rimsi_2793
Stojiljković D, Ristić Trajković J. The Aestheticization of Yugoslav Architecture through Structuralist Analysis of Form-Meaning Relationship. in ARCHDESIGN '19. VI. International Architectural Design Conference Proceeding. 2019;:157-168. https://hdl.handle.net/21.15107/rcub_rimsi_2793 .
Stojiljković, Danica, Ristić Trajković, Jelena, "The Aestheticization of Yugoslav Architecture through Structuralist Analysis of Form-Meaning Relationship" in ARCHDESIGN '19. VI. International Architectural Design Conference Proceeding (2019):157-168, https://hdl.handle.net/21.15107/rcub_rimsi_2793 .